for the longest time, i resisted getting a tattoo. there was a brief stint in college when i constantly doodled dogwood blossoms and imagined one artfully inked on my ankel or just below the hairline on the back of my neck. but like all symbols that have illumined my path, after its debut as The Center of Unspoken Meaning in my life, the dogwood blossom returned to work at her day job as a bit of earthly matter charged to participate in an ordinary sort of beauty. and i moved on to the sanskrit word for OM, or the mayan cross, or something equally evocative and deep.

image from dianeplus5.blogspot.com

i saw the movie eat, pray, love last week, which reminded me of one of my favorite lines in the book by elizabeth gilbert. in the book, liz is lamenting to her sister that she is feeling reluctant about starting a family. she is trying to discern whether to heed or disregard this ambivalence when her sister says,

“having a baby is like getting a tattoo… ON YOUR FACE. you really need to be certain it’s what you want before you commit.”

it’s true. having a baby is an immediate, noticeable, and permanent identity change. i got my first tattoo in the summer of 2006, at which point i traded things like free time and personal space for an unshakable sense of love and awe and sleep deprivation. my second tattoo came in the winter of 2009, which is when i traded the last vestiges of order in my life for complete chaos, the last shard of my remaining vanity for a brown magic marker and a little road trip entertainment (see above), and my already-full-heart for an impossibly deeper sort of love. inasmuch as there is divinity in everything and everyone (and i believe there is) my children really are the reorienting, Centers of Unspoken Meaning in my life. i don’t want to completely lose my identity in them, and i still treasure the meaning found in all of the world’s symbols. but i have committed myself to shaping and being shaped by these little beings. i might as well ride with them into the depths and usher them into the heights of life. this privelege is what makes such sacrifice worth it.

but taking the parenting plunge yields yet another reward, one that i am just recently beginning to recognize. the indigo girls speak of it in their song, get out the map:

“with every lesson learned a line upon your beautiful face/we’ll amuse ourselves one day with these memories we’ll trace.”

perhaps i am also trading worry and wrinkles for the sweetest of memories… the way the monkey cannot say his R’s, the spring of their curls, the first day the bird said, “hi, mama,” when i went to get him from his crib, our july hikes through the mountains with the monkey at my side and the bird in my pack.

my face is now its own geography of commitment and lessons learned, sleepless nights and smile lines, baby fingernail scratches and sloppy toddler kisses. now i’m not much different than the dogwood blossom, a bit of earthly matter whose day job is to participate in an ordinary sort of beauty. ahh, but what an extraordinary ride this is turning out to be!

in light of yesterday’s post about the state of my kitchen,

i thought i’d string a few words together about housekeeping.

my parents, sibling, college roommate, husband, children, and friends know that i was simply born without the part of the brain that exhibits concern over the disorder of physical space and provides impetus to clean with tornadic vigor. this is unfortunate for reasons depicted above. i would argue, though, that this weakness is turning out to be a gift now that i am a parent, who is regularly called to tolerate not only my own personal chaos but that of the three other males (and four, if you count the dog), who live in my house.

but some messes, like the one in my kitchen yesterday, are magnaimous enough to defeat even my inner slob. and on those rare occasions, i have no choice but to put on some loud music, go against my very nature, and CLEAN. thanks to these words in barbara brown taylor’s an altar in the world, i am beginning to see that there is a special sort of dignity to be found in scraping smushed strawberries off the floor with my fingernail:

“i no longer call such tasks housework. i call them the domestic arts, paying attention to all the ways they return me to my senses. when the refrigerator has nothing in it but green onions that have turned to slime and plastic containers full of historic leftovers, i know my art is languishing. when i cannot tell whether that is a sleeping cat or an engorged dust ball under my bed, i know that i have been spending too much time thinking. it is time to get down on my knees. after i have spent a whole morning ironing shirts, folding linens, rubbing orange-scented wax into wood, and cleaning dead bugs out of the light fixtures, i can hear the whole house purring for the rest of the afternoon. i can often hear myself singing as well, satisfied with such simple, domestic purpose.

…this is my practice, not yours, so please feel free to continue calling such work utter drudgery. the point is to find something that feeds your sense of purpose, and to be willing to look low for that purpose as well as high. it may be chopping wood and it may be running a corporation. whatever it is, perhaps you will hold open the possibility that doing it is one way to learn what it means to become more fully human, as you press beyond being good to being good for something, in a world with the perfect job for someone like you” (120).

now let’s be honest. i’m not much into ironing, and the bugs in my light fixtures are there to stay. but after yesterday’s (eventual) kitchen cleanup, i could almost hear our house purring. i’ve been trained to look for meaning in sacred texts, good conversation, masters degree programs, and travels to far lands. but there is a lot of truth to be found when i’m on my knees, bringing order out of chaos within the four walls of our fabulously messy house.

[the source for this post can be found on the bibliography page located on the sidebar to your right.]